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English Renaissance Drama

by David M Bevington
Publisher: Humanities-Ebooks
Release Date: 2014-01-01
Genre: Literary Criticism
Pages: pages
ISBN 13: 1847603041
ISBN 10: 9781847603043
Format: PDF, ePUB, MOBI, Audiobooks, Kindle


Synopsis : English Renaissance Drama written by David M Bevington, published by Humanities-Ebooks which was released on 2014-01-01. Download English Renaissance Drama Books now! Available in PDF, EPUB, Mobi Format. --

English Renaissance Drama
Language: en
Authors: David M Bevington, Katharine Eisaman Maus, Eric Rasmussen, Lars Engle
Categories: Literary Criticism
Type: BOOK - Published: 2014-01-01 - Publisher: Humanities-Ebooks

Books about English Renaissance Drama
English Renaissance Drama: A Very Short Introduction to Theatre and Theatres in Shakespeare's Time
Language: en
Authors: C W R D Moseley
Categories: Literary Criticism
Type: BOOK - Published: - Publisher: Humanities-Ebooks

Introduces the conclusions of recent scholarship and research into theatrical conditions, conventions and concepts in the time of Shakespeare. The book begins with a discussion of the origins of early modern English drama and of the theatres that were built for it. Attitudes to theatre and to players, and what audiences expected of both, are explored in the contexts of the constraints of the acting space and the political culture. The book then looks at the structure and dynamics of the theatrical companies before concluding with a discussion of the genres of plays and the expectations of them that people (including writers) held. Appendices list brief details of the major dramatists of the time, and summarise the main historical and dramatic events.
The Italian World of English Renaissance Drama
Language: en
Pages: 370
Authors: Michele Marrapodi, A. J. Hoenselaars, Ton Hoenselaars
Categories: Drama
Type: BOOK - Published: 1998 - Publisher: University of Delaware Press

It is widely accepted that English Renaissance drama owes its extraordinary richness and variety to the blending of elements originating from the medieval heritage and classical and Italian dramatic traditions. This grafting of the "Italian world" onto the English Renaissance goes far beyond the conventional research of the literary sources. The articles in this collection explore English Renaissance drama through new and challenging aspects of influence and through investigations into classical and Italian theater. The volume moves from early Elizabethan to late Jacobean drama. The area of research ranges from New Classical Comedy to commedia erudita, from the Renaissance theory of tragedy and tragicomedy to the birth of pastoral drama and beyond.
English Renaissance Drama
Language: en
Pages: 334
Authors: Peter Womack
Categories: Literary Criticism
Type: BOOK - Published: 2006-10-06 - Publisher: Wiley-Blackwell

The book considers the London theatrical culture which took shape in the 1570s and came to an end in 1642. Places emphasis on those plays that are readily available in modern editions and can sometimes to be seen in modern productions, including Shakespeare. Provides students with the historical, literary and theatrical contexts they need to make sense of Renaissance drama. Includes a series of short biographies of playwrights during this period. Features close analyses of more than 20 plays, each of which draws attention to what makes a particular play interesting and identifies relevant critical questions. Examines early modern drama in terms of its characteristic actions, such as cuckolding, flattering, swaggering, going mad, and rising from the dead.
Music and Gender in English Renaissance Drama
Language: en
Pages: 232
Authors: Katrine K. Wong
Categories: Literary Criticism
Type: BOOK - Published: 2013-05-02 - Publisher: Routledge

This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wong’s analysis broadens our understanding of the general theatrical representation of music, or musical dramaturgy, and complicates the current discussion of musical portrayal and construction of gender during this period. Wong discusses dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays. The negotiation between the dichotomous qualities of the heavenly and the demonic finds extensive application in recent studies of music in early modern English plays. However, while ideological dualities identified in music in traditional Renaissance thinking may seem unequivocal, various musical representations of characters and situations in early modern drama would prove otherwise. Wong, building upon the conventional model of binarism, explores how playwrights created their musical characters and scenarios according to the received cultural use and perception of music, and, at the same time, experimented with the multivalent meanings and significance embodied in theatrical music.
The Performance of Pleasure in English Renaissance Drama
Language: en
Pages: 218
Authors: R. Huebert
Categories: Literary Criticism
Type: BOOK - Published: 2003-08-19 - Publisher: Springer

Offering new and theatrically informed readings of plays by a broad range of Renaissance dramatists - including Marlowe, Jonson, Marston, Webster, Middleton and Ford - this new book addresses the question of pleasure: both erotic pleasure as represented on stage and aesthetic pleasure as experienced by readers and spectators. Some of the issues raised (the distribution of pleasure by gender, the notion of consent) intersect with feminist reinterpretations of Renaissance culture.
Eros and Power in English Renaissance Drama
Language: en
Pages: 555
Authors: Curtis Perry
Categories: Literary Criticism
Type: BOOK - Published: 2008-01-10 - Publisher: McFarland

This book features five plays from the English Renaissance that explore political questions and developments by telling stories about the erotic impulses of a ruler. The volume contains fully annotated and modernized versions of Marlowe's Edward II, Shakespeare's Measure for Measure, Massinger's The Duke of Milan, Davenant's The Cruel Brother, and Ford's Love's Sacrifice. The editor provides an introduction, initial discussion, and selected illustration(s) for each play, along with an introduction to erotic politics and the Renaissance-era political mentality. A bibliography includes suggestions for further reading and a list of useful websites for students.
The Tower of London in English Renaissance Drama
Language: en
Pages: 14
Authors: Kristen Deiter
Categories: Literary Criticism
Type: BOOK - Published: 2011-02-23 - Publisher: Routledge

The Tower of London in English Renaissance Drama historicizes the Tower of London's evolving meanings in English culture alongside its representations in twenty-four English history plays, 1579-c.1634, by William Shakespeare, Christopher Marlowe and others. While Elizabeth I, James I, and Charles I fashioned the Tower as a showplace of royal authority, magnificence, and entertainment, many playwrights of the time revealed the Tower's instability as a royal symbol and represented it, instead, as an emblem of opposition to the crown and as a bodily and spiritual icon of non-royal English identity.
Character and the Individual Personality in English Renaissance Drama
Language: en
Pages: 414
Authors: John E. Curran,, Jr.
Categories: Literary Criticism
Type: BOOK - Published: 2014-08-20 - Publisher: Rowman & Littlefield

This book explores representations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside Shakespearean exceptionalism, the study reads a wide variety of plays to explain how intellectual context could allow for such characterization.
Memory and Forgetting in English Renaissance Drama
Language: en
Pages: 184
Authors: Garrett A. Sullivan, Jr Sullivan
Categories: Literary Criticism
Type: BOOK - Published: 2005-09-29 - Publisher: Cambridge University Press

Publisher description
A Short History of English Renaissance Drama
Language: en
Pages: 256
Authors: Helen Hackett
Categories: Literary Criticism
Type: BOOK - Published: 2012-10-05 - Publisher: Bloomsbury Publishing

Shakespeare is a towering presence in English and indeed global culture. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparkling new book, Helen Hackett explores the historical contexts of English Renaissance drama by situating it in the wider history of ideas. She traces the origins of Renaissance theatre in communal religious drama, civic pageantry and court entertainment and vividly describes the playing conditions of Elizabethan and Jacobean playhouses. Examining Marlowe, Shakespeare and Jonson in turn, the author assesses the distinctive contribution made by each playwright to the creation of English drama. She then turns to revenge tragedy, with its gothic poetry of sex and death; city comedy, domestic tragedy and tragicomedy; and gender and drama, with female roles played by boy actors in commercial playhouses while women participated in drama at court and elsewhere. The book places Renaissance drama in the exciting and vibrant cosmopolitanism of sixteenth-century London.
The Female Tragic Hero in English Renaissance Drama
Language: en
Pages: 242
Authors: N. Liebler
Categories: Literary Criticism
Type: BOOK - Published: 2016-04-30 - Publisher: Springer

This book constitutes a new direction for feminist studies in English Renaissance drama. While feminist scholars have long celebrated heroic females in comedies, many have overlooked female tragic heroism, reading it instead as evidence of pervasive misogyny on the part of Shakespeare and his contemporaries. Displacing prevailing arguments of "victim feminism," the contributors to this volume engage a wide range of feminist theories, and argue that female protagonists in tragedies - Jocasta, Juliet, Cleopatra, Mariam, Webster's Duchess and White Devil, among others - are heroic in precisely the same ways as their more notorious masculine counterparts.